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Forget everything you know about teachers. At AIM, ours are a world apart. Like you, they live for music. Like yours, their passion for music is intense and uncompromising. Music is such a driving force in their lives, they've doggedly pursued careers where music fills every minute of their lives, through performance, teaching and inspiring others. 

Our teachers are incredible players, astounding singers and industry thought-leaders. They're created arena shows, won ARIAs, gone platinum, scored rave reviews and sent the socials buzzing with their work. They're all working professionals, totally up to speed with what's happening in industry now. 

But they're also brilliant at helping you take your own music career to the next level. Whether that's by helping you polish your technique, anchor a huge free-form jam session with a bunch of like-minded friends, master the next-gen digital tech that can amplify your career, or helping you become a confident, respected manager. Our teachers are dedicated to working with you one-on-one. Discovering what makes you tick as a musician or budding entrepreneur, and helping you find your groove. And unlike a lot of schools, the majority of our teachers are permanent staff, so you can access their genius after hours and out of term. Because creativity doesn't run to a timetable.

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Anton Koch

Position

Academic Lecturer

Campus

Sydney

Staff profile AIM - Australian Institute of Music
AIM - Australian Institute of Music

Anton Koch

  • Position

    Academic Lecturer

  • Campus

    Sydney

  • Departments

    Composition & Music Production, Classical

Anton Koch (composer, arranger and orchestrator) has extensive experience in live events, theatrical and concert performances, and film, television and recording projects, both within Australia and internationally. 

Anton graduated in music (Trumpet and Composition) from the University of Queensland and performed with the Australian Youth Orchestra and the Queensland Symphony Orchestra (1990-1998) while establishing his career as a composer. 

In 2003, Anton won the inaugural Brian May Scholarship, enabling him to study scoring for film and television at the University of Southern California. Since then, he has earned credits on a plethora of projects including orchestrating the music of Hollywood composer Christopher Young, for the feature film "The Exorcism of Emily Rose" (2005), and additional orchestrations and arrangements of the music of Australian composer Elena Kats-Chernin, for the ABC TV opera "The Divorce" (Opera Australia, 2015). 

Anton has worked on major events such as Vivid Sydney (2015), the annual "Helpmann Awards (2007-2014), "Carols in the Domain" (2007-2014), "The Best of Broadway" (Sydney Symphony, 2010), the 15th Asian Games Opening and Closing Ceremonies (Doha, 2006), "Australia Plays Broadway" (Lincoln Centre, 2008; Carnegie Hall, 2009), and the musicals "My Fair Lady" (2016),"Strictly Ballroom" (2013), "King Kong" (2012), "Hairspray" (2010) and "Eureka" (2004). 

In 2013, Anton won critical acclaim for his composition "Theatre of the Horse", highlighting the opening of the outdoor amphitheatre at Royal Randwick Racecourse, and conducted the orchestra for Tony Hadley’s (Spandau Ballet) Australian tour. 

Anton’s recording credits include arrangements for Marina Prior and Mark Vincent, the Australian Girls Choir, David Hobson, Judy Connelli and Suzanne Johnston. Anton’s composition "Reverie", performed by the Tasmanian Symphony Orchestra, is featured on "Soliloquy" and "Classical Chill" (ABC Classics).

  • Youtube Link

Composition & Music Production, Classical